Janet Bishop, Michael Auping, Jonathan Weinberg, Charles Ray, Joshua Shirkey
Robert Bechtle
A Retrospective
208 pages, 9 3/4 x 11 1/4 inches, 110 color illustrations, 10 b/w photographs
March 2005, Available worldwide
Categories: Art; Art History; California & the West
March 2005, Available worldwide
Categories: Art; Art History; California & the West
Exhibition Dates:
*San Francisco Museum of Modern Art, February 12-June 5, 2005
*Modern Art Museum of Fort Worth, June 26-August 28, 2005
*San Francisco Museum of Modern Art, February 12-June 5, 2005
*Modern Art Museum of Fort Worth, June 26-August 28, 2005
"A definitive look at one of the founders of American Photorealism."—Antiques And the Arts Weekly
"A welcome addition to the literature of both art and social history. Highly recommended."—Paula Frosch, Library Journal
"Bechtle's art is, essentially, an attenuated and impeccably modest contemporary version of Impressionism. It records, almost anonymously, the subtlety and variety with which the ordinary world is revealed by light. So doing, it dignifies the commonplace while also illuminating the complex, artificial process of seeing, choosing, and painting that can yield art."—Roberta Smith, New York Times
"Bechtle's evocation of pure light... is a feat of genuine virtuosity. "—Jennifer R. Crohn, Arts Magazine
"Bechtle's work is infused with a melancholy lyricism."—Kristine McKenna, Los Angeles Times
"Robert Bechtle's sparkling California light and dense shadows, his gleaming American cars parked on empty streets and neat, pastel row houses are like a reflection in someone's dark glasses: you see more of yourself than the wearer."—Abby Wasserman, The Museum of California magazine
"A welcome addition to the literature of both art and social history. Highly recommended."—Paula Frosch, Library Journal
"Bechtle's art is, essentially, an attenuated and impeccably modest contemporary version of Impressionism. It records, almost anonymously, the subtlety and variety with which the ordinary world is revealed by light. So doing, it dignifies the commonplace while also illuminating the complex, artificial process of seeing, choosing, and painting that can yield art."—Roberta Smith, New York Times
"Bechtle's evocation of pure light... is a feat of genuine virtuosity. "—Jennifer R. Crohn, Arts Magazine
"Bechtle's work is infused with a melancholy lyricism."—Kristine McKenna, Los Angeles Times
"Robert Bechtle's sparkling California light and dense shadows, his gleaming American cars parked on empty streets and neat, pastel row houses are like a reflection in someone's dark glasses: you see more of yourself than the wearer."—Abby Wasserman, The Museum of California magazine
Tracing Robert Bechtle's career from his earliest paintings of the 1960s to the present day, this is the definitive book on one of the founders and foremost practitioners of American Photorealism. Created in close collaboration with the artist, Robert Bechtle will accompany the distinguished painter's first retrospective exhibition. Lavish plates feature reproductions of approximately ninety of Bechtle's most significant artworks, from large-scale oil paintings to intimate watercolors and drawings. These magnificent illustrations portray the range of the San Francisco-based painter's iconic imagery of California—the rows of palm trees, stucco houses, and the ubiquitous automobiles that spurred suburban expansion—as well as his lesser-known but equally compelling family scenes and stark interiors. Bechtle's preference for wide, empty spaces; his flat, sun-bleached palette; and his detached mode of recording random details impart a singular sense of alienation to his subjects. His deadpan paintings capture the essence of the postwar American experience, in which California often serves as the testing ground for the realization of national dreams.










